Description
For generations, audiences have enjoyed this spiritual with its upbeat tempo and lively syncopations. This arrangement by James L. King III offers a lot of technique practice for developing concert pianists: pan-diatonic chordal harmonies, octave melodies in both hands, and light staccato passages are among the pedagogical delights found in this solo. The exuberant feel of this piece is incredibly catchy: there will be no sleepy congregations on Sunday morning when this piece is played!
Key: G major
Mood: exuberant, upbeat, enthusiastic
Pedagogy: octave melodies, staccato touch, syncopations
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