This pattern-based piece uses octaves and chromatic scales to sound harder than it actually is!
The third Bagatelle from James L. King III sounds harder than it is, with lots of octave sfortzatos and marcatos, a pattern-based minor melody, and chromatic scales in both hands.
Key: D minor
Mood: impatient, rushed, annoyed
Pedagogy: octaves, dynamics, chromatic scales, accents
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It’s one better than 12-bar blues!
You won’t have to buy any bananas, you’ll GO bananas over this arrangement!
Created especially for the student who simply has to play as fast as possible!
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