This pattern-based piece uses octaves and chromatic scales to sound harder than it actually is!
The third Bagatelle from James L. King III sounds harder than it is, with lots of octave sfortzatos and marcatos, a pattern-based minor melody, and chromatic scales in both hands.
Key: D minor
Mood: impatient, rushed, annoyed
Pedagogy: octaves, dynamics, chromatic scales, accents
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Composed especially for (and during) the 2018 MTNA Annual Conference in Orlando, FL, this suite is an exceptional concert-level work for late intermediate and early advanced performers. Any movement may be played individually, or together as a complete performance suite.
This hymn tune is used for several text settings, including For All the Saints and When in our Music God is Glorified. This impressionistic Satie-style arrangement will be a valuable part of any church musician’s library.
Selected for the NFMC Festivals Bulletin, 2020-2024*
This early intermediate arrangement of the famous theme from Debussy’s Suite bergamasque is ideal for adult students, and is a great introduction to French Impressionism for everybody!
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