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13-Bar Blues
From: $3.00It’s one better than 12-bar blues!
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4 Sonatinas
From: $10.00One of “King James” favorite styles of composition is the Clementi-Beethoven-Kuhlau style Sonatina. This collection of four 2-movement works are among James L. King III’s most loved pieces.
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Carpe Diem
From: $3.00Your students will love this endearing lyrical pop-style piece!
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Fanflair!
From: $5.00James L. King III’s Fanflair! is a piece for 1 piano, 6 hands that is written for different skill levels. This allows siblings (who are typically at different levels) can practice and play this piece together. The piece has a huge sound that will fill any auditorium, and is a fantastic choice for opening events and festivals.
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It Had To Be You
From: $3.00If we’re lucky, we find somebody who loves us and can’t live without us, in spite of our faults. This 1924 love song entered the public domain January 1, 2020 with this charming “King James” arrangement!
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Kum-ba-yah
From: $3.00This traditional sacred song never gets its original treatment anymore, which is a shame, because it’s quite a toe-tapper!
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Little David
From: $3.00Audiences will be tapping their feet to this impressive arrangement of the classic spiritual!
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Prelude on ENGELBERG
From: $3.00This hymn tune is used for several text settings, including For All the Saints and When in our Music God is Glorified. This impressionistic Satie-style arrangement will be a valuable part of any church musician’s library.
Selected for the NFMC Festivals Bulletin, 2020-2024*
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Sobre las olas (Rosas)
From: $3.00You might feel like you’re at a carnival; you might just feel like you’re at a beach in Mexico. Either way, Sobre Las Olas captures the moment perfectly.
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Styles & Smiles, Vol. 1
From: $10.00Styles & Smiles, Vol. 1 is a delightful collection of pieces containing some of James L. King III’s most-loved works! It is a book that will immediately capture students’ attention, and will grow with them with incredibly fun pieces!
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Threepenny Opera No.2, “Ballad of Mack the Knife”
From: $3.00Macheath is back in a classic arrangement of this 1928 piece that became a huge hit for pop music artists in the 1950s and 1960s.